Maddie Zahm

Maddie Zahm

  • Fri 11th Sep 2026 | Academy 2, Dublin | On Sale: Fri 12th Jun | Doors 7:00 PM

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Maddie Zahm

Maddie Zahm is dreaming of a world where curiosity matters more than anything, where feelings are treated as proof that you’re alive.

The LA-based, Idaho-born singer-songwriter first felt the need to slip into a comfy cardigan and tennis shoes as a childhood acolyte of Mister Rogers’ Neighborhood, but reaches that warm, kaleidoscopic idyll on new album Everything All the Time (due early fall). By embracing the strange, beautiful flood of becoming yourself on your own terms, the warm, candid, funny, and awe-inspiring record captures what it feels like to stop viewing growth as a final destination and start treating it as an ongoing act of curiosity, compassion, and coming home to yourself.

That openhearted charm comes not only from unbounded compassion, but also from years of refining her artistic voice in the music industry. Since bursting onto the scene, Zahm’s music has amassed more than 345 million streams worldwide, with the single “You Might Not Like Her” reaching the Top 5 of Spotify’s US Viral Chart. She’s found perhaps another amazing level of success on social media, with hit single “Fat Funny Friend” alone generating over 2 billion TikTok views. Along the way, she’s sold out headline tours across the US and internationally, shared stages with artists like P!nk, and earned acclaim from outlets including NPR, Rolling Stone, Billboard, and People—all built on a fusion of her impeccable songwriting, unrivaled voice, and boundless charisma, resulting in an online community of nearly two million followers drawn to her singular mix of vulnerability, humor, and hard-earned self-awareness.

Produced by Ehren Ebbage (Lizzy McAlpine, Myles Smith) and featuring a handful of Zahm’s closest collaborators including additional production and co-writing by Adam Yaron (Alex Warren), Everything All the Time wears its expansive approach proudly and spectacularly. Across the album, Maddie Zahm doesn’t present growth as a clean arc or emotional enlightenment as a finish line. Instead, she offers something warmer, stranger, and far more human: permission to keep evolving, to keep feeling, and to keep searching for yourself with compassion. “There’s a lot of good that comes from my big feelings, like my music and my friendships and my ability to connect with people,” she says. “I’m so happy to feel everything because I would rather that than be somebody that is numb, even if it comes with some pain.”

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